St. Augustine’s “Sheets of Sound”

John Coltrane icon

One of saxophonist John Coltrane’s trademarks was his so-called “sheets of sound” technique. It’s a sound that attracts the non-jazz-listener with its virtuosity, a sound that beginning sax players will try to emulate in their own early solos, and a sound that comes full circle with mature horn players and listeners hearing that beneath what sounds like pure flash is miles of depth. At least when Coltrane did it.

Saint_Augustine_by_Philippe_de_Champaigne

One of Augustine’s techniques also had a “sheets of sound” quality to it. He had the Scriptures and a host of other texts virtually memorized, and at times he would pull out all the stops (to mix musical metaphors), with results like this from De Trinitate, Bk.1, Ch.4:

In the form of God, all things were made by him (Jn 1:3); in the form of a servant he himself was made of woman, made under the law (Gal 4:4). In the form of God, he and the Father are one (Jn 10:30); in the form of a servant, he did not come to do his own will, but the will of him who sent him (Jn 6:38). In the form of God, as the Father has life in himself, so he gave the Son also to have life in himself (Jn 5:26); in the form of a servant, his soul is sorrowful to the point of death, and Father, he said, if it can be, let this cup pass by (Mt 26:38). In the form of God, he is true God and life eternal (1 Jn 5:20); in the form of a servant, he became obedient to the point of death, the death even of the cross (Phil 2:8).

In the form of God, everything that the Father has is his (Jn 16:15), and all yours is mine, he says, and mine yours (Jn 17:10); in the form of a servant, his doctrine is not his own, but his who sent him (Jn 7:16).

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