St. Augustine’s “Sheets of Sound”

John Coltrane icon

One of saxophonist John Coltrane’s trademarks was his so-called “sheets of sound” technique. It’s a sound that attracts the non-jazz-listener with its virtuosity, a sound that beginning sax players will try to emulate in their own early solos, and a sound that comes full circle with mature horn players and listeners hearing that beneath what sounds like pure flash is miles of depth. At least when Coltrane did it.


One of Augustine’s techniques also had a “sheets of sound” quality to it. He had the Scriptures and a host of other texts virtually memorized, and at times he would pull out all the stops (to mix musical metaphors), with results like this from De Trinitate, Bk.1, Ch.4:

In the form of God, all things were made by him (Jn 1:3); in the form of a servant he himself was made of woman, made under the law (Gal 4:4). In the form of God, he and the Father are one (Jn 10:30); in the form of a servant, he did not come to do his own will, but the will of him who sent him (Jn 6:38). In the form of God, as the Father has life in himself, so he gave the Son also to have life in himself (Jn 5:26); in the form of a servant, his soul is sorrowful to the point of death, and Father, he said, if it can be, let this cup pass by (Mt 26:38). In the form of God, he is true God and life eternal (1 Jn 5:20); in the form of a servant, he became obedient to the point of death, the death even of the cross (Phil 2:8).

In the form of God, everything that the Father has is his (Jn 16:15), and all yours is mine, he says, and mine yours (Jn 17:10); in the form of a servant, his doctrine is not his own, but his who sent him (Jn 7:16).


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